Selected essays in journals:
Edge of Insanity: Tony MacAlpine and Black Virtuosity
Journal of Popular Music Studies 30.1-2 (2018): 109-126

Four Djentlemen and a Girl Walk Into a Metal Bar . . . : Thoughts On a 'Metal After Metal' Metal Studies
Metal Music Studies 2.3 (2016): 325-340

"This Is Who I Am": Jero, Young, Gifted, Polycultural
Journal of Popular Music Studies v24n3 (2012): 333-356

Black Metal: Stone Vengeance sing the thrash metal blues
Popular Music History (Special Issue) v6.1/6.2 (2011): 180-197

Deracinated Flower: Toshiko Akiyoshi's 'Trace in Jazz History'
Jazz Perspectives 4.1 (2010): 35-58

Emergency! Race and Genre in Tony Williams's Lifetime
Jazz Perspectives 2.1 (2008): 1-28

Selected essays in anthologies:
"Clap Along If You Feel Like Happiness Is the Truth: Pharrell Williams and the False Promises of the Postracial"

Racism Postrace
Roopali Mukherjee, Sarah Banet-Weiser, Herman Gray, editors
Duke University Press, 2019
"Nahenahe (Sweet, Gentle) and the Soft Aesthetics of Kanaka Maoli (Native Hawaiian) Refusal"

Anti-Racism Inc.: Why the Way We Talk About Racial Justice Matters
Felice Blake, Paula Ioanide, Alison Reed, editors
Punctum Books, 2019
"'This Is Who I Am': Jero, Young, Gifted, Polycultural"

Hapa Japan: Constructing Global Mixed Race and Mixed Roots Japanese Identities and Representations
Duncan Ryuken Williams, editor
Kaya Press, 2017
"Voracious Souls: Race and Place in the Formation of the San Francisco Bay Area Thrash Scene"

Global Metal Music and Culture: Current Directions in Metal Studies
Andy R. Brown, Karl Spracklen, Keith Kahn-Harris, Niall Scott, editors
Routledge, 2016
"Gender, Race, and the Ma(s)king of 'Joni Mitchell'"

The Cambridge Companion to the Singer-Songwriter
Katherine Williams, Justin A. Williams, editors
Cambridge University Press, 2016
"What Is This 'Black' in Japanese Popular Music? (Re)Imagining Race in a Transnational Polycultural Context"

Traveling Texts and the Work of Afro-Japanese Cultural Production: Two Haiku and a Microphone
William H. Bridges IV, Nina Cornyetz, editors
Lexington Books/Rowan and Littlefield, 2015
"Talk Shit, Get Shot: Body Count, Black Masculinity, and Metal Music Culture"

Modern Heavy Metal: Markets, Practices and Cultures
Toni-Matti Karjalainen, Kimi Kärki, editors
Aalto University and Turku International Institute for Popular Culture, 2015
"The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records"

The Global Sixties in Sound and Vision: Media, Counterculture, Revolt
Timothy Scott Brown, Andrew Lison, editors
Palgrave Macmillan, 2014
"Enter the Voice of the Dragon: Fred Ho, Bruce Lee, and the Popular Avant-Garde"

Yellow Power, Yellow Soul: The Radical Art of Fred Ho
Roger N. Buckley, Tamara Roberts, editors
University of Illinois Press, 2013
"Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal Music"

Heavy Metal: Controversies and Countercultures
Titus Hjelm, Keith Kahn-Harris, Mark LeVine, editors
Equinox Publishing, 2013
"The Song of the Dragon: Fred Ho and the formation of an 'Afro-Asian new American multicultural music'"

One World Periphery Reads the Other: Knowing the "Oriental" in the Americas and the Iberian Peninsula
Ignacio Lopez-Calvo, editor
Cambridge Scholars Publishing, 2009
"Silenced But Not Silent: Asian Americans and Jazz"

Alien Encounters: Popular Culture in Asian America
Mimi Thi Nguyen, Thuy Linh Nguyen Tu, editors
Duke University Press, 2007
"Wiseguy Opera: Music For Sopranos"

This Thing of Ours: Investigating The Sopranos
David Lavery, editor
Columbia University Press, 2002
Other media:

Fred Ho's Last Year (Steven De Castro, director)
Interviewee, Associate Producer

American Icons: "Cross Road Blues" Gisele Regatao

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